Iconic historical stage designs for The Queen of the Night sequence from Mozart’s “Magic Flute” - the first image by Karl Friedrich Schinkel in 1815, the second by Simon Quaglio in 1818 (x)
The prevalence of the coyote as a trickster in American myth, the jackal as a trickster in African myth, and the fox as a trickster in Eurasian myth proves that the Funny Dogy is a staple across cultures
one time I got in a twitter argument I didn’t really have any investment in so I drew an mspaint doodle of myself as christ on the cross and for some reason that didn’t deescalate the argument
i love wizards bc they fucking lie all the time. gandalf was like “a wizard is never late he arrives precisely when he means to” lying ass. he was late as fuck. wizards will just say whatever. it doesn’t even matter when you have a big ass hat
‘The Homo Signorum, or Man of Signs, is a curious figure which appears in medieval astrological manuscripts. Known as the Melothesic Man or Moon’s Man in astrological medicine, it shows the signs of the zodiac on the specific parts of the body over which tradition has given them rulership. The Vierling melothesia demonstrates the hermetic ‘as above, so below’ motif, wherein the microcosm has correspondence with the macrocosm. The emblem further reflects this with the serpent biting its tail, bringing to mind the ouroboros in the Codex Marcianus, which is accompanied by the Greek phrase EN TO PAN, or ALL in ALL’. William Kiesel.
